This week, we transferred about 5 minutes of 16mm hi-con footage to video with the goal of editing the footage in such a way as to present a one-minute trajectory with a beginning, middle and end. Sound will really facilitate the making of a whole from the fragments. And, of course, how the image track(s) is edited will determine the thread or story of your one-minute films. But beyond simply cutting and pasting, you might also play with colorizing the video, slowing it down or compositing two or more clips. The example above shows these techniques, starting with an unmodified clip of film.
October 4, 2007
Week 7: Life After Rayograms and Contact Printing
This week, we transferred about 5 minutes of 16mm hi-con footage to video with the goal of editing the footage in such a way as to present a one-minute trajectory with a beginning, middle and end. Sound will really facilitate the making of a whole from the fragments. And, of course, how the image track(s) is edited will determine the thread or story of your one-minute films. But beyond simply cutting and pasting, you might also play with colorizing the video, slowing it down or compositing two or more clips. The example above shows these techniques, starting with an unmodified clip of film.
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